Willie Nelson on the Road Again Willie Nelson on the Road Again Discogs
Information technology'southward Willie Nelson'southward birthday, and in honor of his 89th spin around the sun, he'south got a brand new album out called A Beautiful Time. Nelson, a.grand.a. The Red Headed Stranger, is famous for tons of unlike reasons beyond music — he's got his own cannabis brand, and he's politically active on lots of unlike fronts. He'southward been a supporter of marriage equality, animal rights, and recently fifty-fifty updated his song "I'll Be Seeing Yous" as a PSA for COVID-19 vaccination efforts.
At his core though, Willie Nelson is a songwriter. His new single, "I'll Love You Till the Day I Die," is just the latest gorgeous tune in an outrageously productive career. Nelson got started back in the early 1960s, writing songs that other artists made famous, simply A Beautiful Time, amazingly, is Nelson's 72nd solo studio album — you lot don't have to bosom out the calculator to figure out that means he's been putting out, on average, more than one album per year seemingly since the dawn of time. That's a lot of songs.
With that in mind, let'due south take a tour of some of the best covers of Willie Nelson's songs. There may be no better tribute to a great songwriter than to take a await at the songs they wrote that were iconic in the careers of other artists. With Nelson, that'south a long list, but hither are 5 of the best ones.
"Crazy," Patsy Cline (1961)
When producer Owen Bradley brought the demo for "Crazy" to Patsy Cline, she wasn't impressed. Willie Nelson was not a well-known artist at the time, only Bradley felt that the song would be a good option for Cline. She gave it a shot, despite still suffering from the furnishings of a serious car accident the month before that nearly killed her and her brother.
On the first pass, Cline cutting the session curt, maxim she couldn't sing up to her standards, merely she returned days subsequently and recorded the vocals, legendarily, in but one take. The recording became so pop that for a long time it was the second nearly popular song on jukeboxes in the U.South., just behind Elvis Presley's "Don't Be Fell." It'southward an aching, gorgeous vocal. Information technology's been covered by anybody from Linda Ronstadt to Diana Krall, and Willie himself has recorded it too, just Cline's version is the one that rises to a higher place all the remainder.
"Funny How Time Slips Away," Al Green (1973)
Willie Nelson wrote "Funny How Time Slips Abroad" along with "Crazy" in but i week, according to legend. This song has been a huge striking for lots of different artists, but just as impressively, information technology's been a hitting for artists in different genres. Listening to the original land version by Baton Walker and Brian Ferry's bizarre 1974 version dorsum-to-back will make you experience like you're listening to two totally unlike songs.
It'southward Al Green'southward version though — off his 1973 anthology Phone call Me, which also includes a cover of Hank Williams' land masterpiece "I'm So Lonesome I Could Cry" — that's my favorite. The way Green lets the vocal slowly build to a crescendo over the course of a total five minutes is simultaneously incredibly moving and really fun. Green makes it entirely his, but that'south also a credit to the malleability of the song — and to the simple, universal entreatment of its message.
"Dark Life," Aretha Franklin (1967)
It's so hard to choose simply one cover of "Night Life," a song Willie Nelson wrote in the late 1950s in Texas. It seems like every songwriter ends up getting around at some point to writing a song about how life in show business concern isn't easy, and this is ane of the greats of that theme. That's probably why so many artists take taken a shot at recording it. From Marvin Gaye to B.J. Thomas, there are countless fantabulous renditions.
Aretha Franklin'due south version is the i that stands out most, though. Ostensibly a song about a quiet, alone moment, Franklin's singing has a kind of defiance to information technology. When she sings, "Heed to the blues and what they're saying," it cuts right to the heart. You can't help just do what she says. It'southward globe'south away from the tranquility, resignation of Nelson's version; both are gorgeous, but Franklin'southward is explosive and anthemic.
"Pitiful Songs and Waltzes," Block (1996)
One of my first introductions to the songs of Willie Nelson was this cover of "Pitiful Songs and Waltzes" from Cake'due south 1996 album, Fashion Nugget. This vocal, which Willie Nelson wrote for his 1973 album, Shotgun Willie, is one of those tunes that feels like it was destined to have been written at some point. It's such a simple idea — the vocalizer lamenting the fact that the song he's singing probably won't ever be heard by the person he needs to hear it. It'south a cracking vocal about a feeling we all know well: feeling bad for yourself. Sometimes you need a song to see you through.
Cake's version is somehow both heartfelt and tongue-in-cheek — a play a trick on they pulled off elsewhere on Style Asset with their fifty-fifty more famous cover of Gloria Gayner's "I Will Survive." The sad, lonesome trumpet along with the tiresome waltz rhythm in "Sad Songs and Waltzes" is just perfect. Listening to this song, yous feel like yous're alone in your room feeling lousy, but, like, in a practiced way!
"Pretty Paper," Roy Orbison (1963)
"Pretty Paper" is a little miracle of a song — one of the rare Christmas standards that somehow works as a regular ballad, also. The song, written in 1963, is nigh a disabled man Willie Nelson ofttimes saw years earlier selling paper and ribbons on the sidewalk in Fort Worth, Texas. The man would shout, "Pretty newspaper!" to get the attending of passersby, and Nelson ever found information technology all very moving.
Orbison's version of this song showcases his amazing and unusual voice, all while working as a perfect Christmas song that'south full of rise strings and what sounds like a chorus of angels singing backup harmonies. Willie's own version, of course, is a little more pensive and understated, and it's gorgeous, but Orbison'southward version is the reason this song became a Christmas classic.
Source: https://www.ask.com/culture/willie-nelson-songwriter-best-covers?utm_content=params%3Ao%3D740004%26ad%3DdirN%26qo%3DserpIndex
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